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When was the last time you heard a college kid referencing Dukakis? Off-Broadway, the show was widely seen as a satire of Broadway musical exploitation, a self-aware quality still played up by director and choreographer Dan Knechtges, whose work is sometimes funny and intermittently fresh.
But once you move the outsider proceedings onto the Great White Way and into the very temple of absurd indulgences, that meta-quality starts to look a lot more like wanting to have your sexy cheerleaders and shirtless athletes and poke fun at them, too. The satire just does not have enough of an edge to pull that off.
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